Monday, June 20, 2016

Thamizh Songs in Carnatic Music—4 --எப்படிப் பாடினரோ---eppaDip pADinarO

Thamizh Songs in Carnatic Music—4

Composer: Suddhananda Bharathi (SNB)--சுத்தானந்த பாரதியார்


How did they sing? --- எப்படிப் பாடினரோ
 

Composition: eppaDip pADinarO…
Composer:     Suddhananda Bharathi
mudrA:          
(signature):    none
rAgam:           karnATaka dEvaghAndAri (janyam of mELam 22, karaharapriyA )                      
ArOhaNam:     SG2M1PN2S
AvarOhaNam: SN2D2PM1G2R2S
tALam:            Adi                                         


ராகம்: கர்நாடக தேவகாந்தாரி
தாளம்: ஆதி  

பல்லவி:       
எப்படிப் பாடினரோஅடியார்
அப்படிப் பாட நான் ஆசை கொண்டேன் சிவனே          (எப்படிப்)

அனுபல்லவி:    
அப்பரும் சுந்தரரும் ஆளுடைப் பிள்ளையும்
அருள் மணி வாசகரும் பொருள் உணர்ந்தே உன்னையே       (எப்படிப்)

சரணம்:       
குருமணி சங்கரரும் அருமைத் தாயுமானாரும்
அருணகிரிநாதரும் அருட்ஜோதி வள்ளலும்                                                                                
கருணைக் கடல் பெருகி காதலினால் உருகி
கனித் தமிழ்ச் சொல்லினால் இனிதுனை அனுதினம்               (எப்படிப்)

Lyrics in Roman script

Pallavi:            eppaDip pADinarO—aDiyAr
                        appaDip pADa nAn Asai koNDEn shivanE            (eppaDip)

anupallavi:     apparum su^ndararum ALuDaip piLLaiyum
                        aruL maNi vAcakarum poruL uNar^ntE unnaiyE   (eppaDip)

CaraNam:       gurumaNi shankararum arumait tAyumAnArum
                        aruNagirinAtarum aruTjOthi vaLLalum
                        karuNaik kaDal perugi kAdalinAl urugi
                        kanit tamizhc collinAl inidunai anudinam               (eppaDip)


                               
Source for lyrics:  Amutham CD WS003 booklet insert

Meaning:

P:         Oh, Lord Shiva I want to sing your praise in the same manner done by your                       (famous) devotees.

A:        Appar, Sundarar, TirugnAna Sambandar, and MANicka VAcagar sang about you               
in all meaningful splendor.

C:        GurumaNi Shankarar, brilliant ThAyumAnAr, AruNagirinAthar, and the  beacon of grace, RAmalinga  VaLLalAr---all these great souls out of boundless love for you and an ocean of grace sang about you everyday using sweet Thamizh words.


General Comments:
This song is a paean on Lord ShivA as well as the twin quartets of ShivA’s famous devotees. The first quartet of Appar (also known as TirunAvukkarasar), SundaramUrthy nAyanAr, TirugnAna Sambandar, and MANikka VAcagar lived in the first millennium CE. Of this quartet, the first three are known as tEvAram trinity and are members of the group of famous devotees of ShivA, known as 63 nAyanmArs. MANicka VAcagar, who lived much later than the 63 nAyanmArs, was technically the 64th nAyanmAr. All the four contributed to the growth of Shaivism against established Jainism in the Thamizh country by composing songs on Lord ShivA at various shrines.

The song is also a tribute to the second quartet of Adi ShankarA (788-820 CE), ThAyumAnavar (18th century CE??), AruNagirinAthar (15th century CE), and RAmalinga vaLLalAr (1823-1874 CE). Adi ShankarA went far and wide in India to spread Shaivism by debating and defeating other competing religious sect leaders. ThAyumanavar wrote 1400 hymns in simple Thamizh with profound meaning. AruNagirinAthar was a devout Murugan worshipper, who wrote myriad songs on Murugan including the famous Tiruppugazh. RAmalinga vaLLalAr, with no formal education, wrote thousands of verses inculcating universal love and peace, all of which are compiled in a book called “TiruvaruTpA”.

The composer wanted to draw inspiration from the great saint poets to write his own compositions. Such a desire openly manifested in this simple invocatory song. The beauty of this song lies in the deference that the composer had for the great shaivite saint philosophers-cum-poets which is expressed succinctly.

Composer’s Bio:
Suddhananda Bharathi (1897-1937) was a yOgi, devotee, and freedom fighter all mixed in one. He was modesty personified. He wrote a lot of poems in Thamizh on bhakti, peace, and universal love with an easy flow of the language. Many of his songs have been set to music by others, among them Calcutta K. S. Krishnamurthy figuring prominently.

Some of the songs of Suddhananda Bharathi that are popular are: aruL purivAi (hamsadwani), kaNNeDuttAkilum kANIrO (simmEndra madyamam), sakala kalA vANiyE (kEdAram), tUkkiya tiruvaDi (shankarAbharaNam), jangAra shruti seiguvAi (pUrvikalyANi), and kaNNanE en kaNavan (kalyANi).

Listen to D K PattammAL here
Listen to Sudha Ragunathan here
Listen to Nithyasri here
Listen to T M Soundararajan here
Listen to Unnikrishnan here

Listen to Nisha Rajagopalan here 




2 comments:

  1. There are some obvious errors that Adi Sankara was a saivaite whereas he was a Advaitin and there are different dates attributed to his ers

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    1. Your point is well-taken. The fact that Shankara's pictures show him with holy ash on the forehead (3 stripes) and rudrAksha mAlai around his neck indicates the Shaivism brand. Yes, he preached advaita but Shaivism is part of advaita philosophy.

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